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I’ve Always Wanted to Write a Book. Where Do I Start?

Written by Quill & ReedReviewed by Quill & Reed4 min read

Published

The short answer

Start with the smallest useful decision: what kind of book is this? Once you know that, work out what it is about, who it is for and what the next 500 words are. You do not need a title, a plan for publishing or a finished idea of the whole book. You need a next step.

On this page
  1. Stop starting with publishing
  2. Choose the type of book
  3. Capture the idea
  4. Give yourself a small first target
  5. Set a realistic routine
  6. Avoid waiting for confidence
  7. What to do if you have several ideas
  8. What to do in the first seven days
  9. Common mistakes
  10. Frequently asked questions

Wanting to write a book for years and not knowing where to start is one of the most common positions people write to us from. Usually the idea itself is not the problem. The problem is that “write a book” is not a task; it is a destination, and destinations do not tell you where to put your feet first.

This guide breaks that destination down into a sequence of small, ordinary decisions, starting with the one that unlocks the rest.

Stop starting with publishing

A common way people delay actually writing is by researching publishing before there is anything to publish. Covers, ISBNs, Amazon categories and marketing plans all feel productive, but none of them require a book to exist yet, which is exactly why they are easy to disappear into.

Choose the type of book

Fiction, memoir and non-fiction are built differently, and knowing which you are writing removes a lot of open questions in one go.

What the type of book decides early on
TypeIt decidesA good first question
FictionWho the story follows and what they wantWhat situation starts the story moving?
MemoirWhich part of your life the book coversWhat period or theme is this actually about?
Non-fictionThe reader’s problem and the change on offerWho has this problem, and what do they need to know?

If none of these feel settled yet, the Book Starting Plan asks a short set of questions and suggests a likely direction based on your answers.

Capture the idea

Write down what you have in your head now, before shaping it. A page of rough notes, a voice memo or a few bullet points is enough. The point is to get it out of memory and onto something you can look at and add to.

Example

For example, notes might read: “A man returns to the coastal town he grew up in to sell his late father’s boat. He keeps finding reasons to stay.” That is not a plan, but it is a real starting point.

Give yourself a small first target

A target of 500 words is achievable in a single sitting for most people, and finishing it proves something that no amount of planning can: that you can actually write this book, one piece at a time.

Do

  • Write 500 words on the part of the idea you feel surest about
  • Let the writing be rough
  • Stop once you hit the target, even mid-thought

Avoid

  • Wait until you know the whole plot or argument
  • Try to write a polished opening chapter first
  • Judge 500 words against a finished book

Set a realistic routine

A routine you can actually keep matters more than an ambitious one. Twenty minutes, three times a week, sustained for months, produces more of a book than an occasional weekend that rarely happens.

  • Choose specific days and times rather than “when I get a chance”.
  • Protect the smallest version of the routine, not the ideal one.
  • Track sessions rather than word counts if word counts feel discouraging.

Avoid waiting for confidence

Confidence tends to arrive after you have written something, not before. Waiting for certainty before starting usually just delays the point at which you find out whether the idea works, which only happens on the page.

What to do if you have several ideas

Write a one-line description of each idea, then ask which one you would still want to be writing in three months. Enthusiasm on day one tells you less than staying power does. Start with the idea that survives that question, and keep the others as notes, not distractions.

What to do in the first seven days

  1. 1

    Day 1: Describe the idea

    Write one or two honest sentences about what the book is about.

  2. 2

    Day 2: Define the reader

    Note who the book is for, even roughly. It narrows everything that follows.

  3. 3

    Day 3: Outline

    List the big pieces: key scenes, chapters or stages, in a rough order.

  4. 4

    Days 4–7: Start writing

    Write in short, regular sessions rather than one long push. Aim for progress, not a finished draft.

This is a starting sequence, not a formula. If your book needs more research before day three, that is fine; move it, don’t skip it.

Common mistakes

  • Researching publishing before writing anything. It feels productive but does not move the book forward.
  • Trying to plan the whole book before starting. A rough direction is enough to begin; the rest can be worked out in the writing.
  • Comparing your first pages to finished books. Every finished book went through a rough first version.

Frequently asked questions

Do I need to know the ending before I start?

No. A rough sense of direction is useful, but many writers discover the ending while drafting. You can revise it later.

What if I only have thirty minutes a few times a week?

That is enough to make steady progress. A small, consistent routine outperforms occasional long sessions for most people.

Should I take a writing course first?

Not necessarily. Some people find courses useful once they are writing regularly; others find they delay starting. Writing and revising is the most direct way to learn.

Ask Quill & Reed

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