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Publishing

What order should I edit, design and publish my book?

Written by Quill & ReedReviewed by Quill & Reed5 min read

Published

The short answer

A sensible production sequence is: write, revise, developmental edit if needed, author revisions, copy edit, cover and interior design, formatting, proofreading, final corrections, then publish. Some stages can overlap — cover design can often start once the manuscript is structurally stable, for example — but major editing should generally finish before final formatting begins, and proofreading should always come after layout, not before.

On this page
  1. Why does the order matter so much?
  2. What is the recommended production sequence?
  3. What can happen in parallel?
  4. What should not happen too early?
  5. How does this change for illustrated or complex books?
  6. Why does a coordinated process reduce risk here?
  7. Common mistakes
  8. Frequently asked questions

Authors often ask whether they should get a cover designed early to build excitement, or hold off until the manuscript is finished. The honest answer is that production has a logical order, and departing from it usually costs time or money later — a redesigned spine, a reformatted interior, or a proofreading pass that has to be repeated because the text changed after it was checked.

This guide sets out a dependable production sequence for self-publishing, explains why each stage sits where it does, and flags which stages can genuinely run in parallel without creating rework.

Why does the order matter so much?

Each stage of book production depends on the one before it being stable. Design decisions such as spine width, chapter opening pages and running headers depend on a fixed page count, which in turn depends on the manuscript being edited to something close to its final length. Proofreading depends on the layout being finished, because it is checking the typeset pages, not the original manuscript file. Publishing an out-of-order project usually means paying for the same stage twice.

What is the recommended production sequence?

While every book is different, this sequence works reliably for most fiction, memoir and non-fiction projects:

  1. 1

    1. Write and self-revise

    Complete a full draft and carry out your own structural revisions before involving anyone else.

  2. 2

    2. Developmental editing (if needed)

    A structural edit addresses plot, pacing, argument or character before line-level work begins.

  3. 3

    3. Author revisions

    Work through developmental feedback and produce a stable, close-to-final manuscript.

  4. 4

    4. Copy editing

    Grammar, consistency, clarity and factual accuracy are addressed at sentence level.

  5. 5

    5. Cover and interior design

    With the manuscript stable, cover art and interior typesetting can begin.

  6. 6

    6. Formatting for print and ebook

    The edited manuscript is laid out as a print-ready PDF and a reflowable ebook file.

  7. 7

    7. Proofreading

    A final read of the typeset pages catches layout and typographic errors introduced during formatting.

  8. 8

    8. Final corrections

    Proofreading fixes are applied and checked, without reopening earlier editorial decisions.

  9. 9

    9. Publishing

    Files are uploaded, metadata is set, and the book goes live once a proof has been approved.

What can happen in parallel?

Not every stage needs to wait for the previous one to finish entirely. Some tasks can run alongside each other without creating rework, provided the manuscript is stable enough that later changes will not force a redo.

  • Cover concept and mood-boarding can start once the manuscript's genre and tone are settled, even before copy editing finishes.
  • Metadata drafting (description, keywords, categories) can happen while formatting is underway.
  • ISBN purchase and account setup can be completed at any point before upload.
  • Marketing and launch planning can begin as soon as a publication date is realistic.

What should not happen too early?

Certain stages genuinely need to wait, because starting them early almost always causes rework.

Do

  • Wait until developmental editing is finished before finalising the cover spine.
  • Complete copy editing before formatting begins.
  • Proofread the typeset file, not the manuscript draft.

Avoid

  • Order final print proofs before the manuscript is structurally locked.
  • Format the interior while major plot or argument changes are still possible.
  • Skip proofreading because "it was already copy edited."

How does this change for illustrated or complex books?

Illustrated children's books and heavily designed non-fiction (with charts, sidebars or photography) usually need design and text development to run closer together, since layout constraints can influence word count and pacing. Even so, the underlying principle holds: illustrations should be finalised against a text that is not still changing structurally, and a full proofreading pass should always follow final layout, whatever the book type.

Why does a coordinated process reduce risk here?

Much of the risk in this sequence comes from managing several freelancers who are not necessarily coordinating with each other — an editor who does not know the cover has already been finalised, or a formatter who starts before proofreading notes have been applied. A single coordinated production process, where one team manages editing, design and formatting in sequence, removes much of this risk simply by keeping the order consistent.

Common mistakes

  • Finalising the cover before editing is complete. Structural changes after cover design is locked can alter the spine width and force a costly reprint.
  • Formatting before copy editing finishes. Late text corrections after layout is complete mean reformatting the same pages twice.
  • Skipping proofreading because the manuscript was already copy edited. Formatting can introduce its own errors — spacing, page breaks, running headers — that only a proofreading pass will catch.
  • Running marketing before a firm publication date exists. Announcing a launch before production is realistically on track can force an awkward delay.

Frequently asked questions

Can I get my cover designed before my manuscript is finished?

A concept or mood board can start early, but final cover artwork — especially the spine — should wait until the manuscript is structurally stable, since page count affects spine width.

Should I proofread before or after formatting?

Always after. Proofreading checks the typeset pages themselves, including layout issues that formatting can introduce.

Do developmental and copy editing always need to be separate stages?

For most full-length manuscripts, yes — they address different things. Shorter or simpler texts sometimes combine them, but it is worth asking your editor which approach suits your project. See [developmental editing vs copy editing](/resources/editing-manuscripts/developmental-editing-vs-copy-editing) for the distinction.

How much does getting the order wrong actually cost?

It varies, but reprinting cover stock or reformatting an interior after late text changes typically costs more than doing the work once, in the right order, would have done.

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