Skip to main content

IngramSpark & Distribution

How Do I Get My Book Into Bookshops?

Written by Quill & ReedReviewed by Quill & Reed6 min read

Published · Platform details change; last checked

The short answer

Start by making the book professionally orderable and commercially understandable: a suitable ISBN, accurate metadata, trade distribution, sensible pricing, workable retailer margin, a professional cover and interior, and, where possible, evidence of reader demand. Then approach suitable bookshops realistically, recognising that stocking decisions ultimately rest with each retailer.

On this page
  1. Prepare the product
  2. ISBN
  3. Metadata
  4. Distribution
  5. Wholesale terms
  6. Returns
  7. Bookshop economics
  8. Local relevance
  9. Genre relevance
  10. Events
  11. Author platform
  12. Reviews
  13. Sales evidence
  14. Pitching independents
  15. Chain retailers
  16. Consignment where relevant
  17. Direct supply
  18. What retailers care about
  19. Common mistakes
  20. Common mistakes
  21. Frequently asked questions

Many authors ask some version of "how do I get into bookshops" expecting a single process to follow. In practice it is closer to a set of separate, practical steps: preparing the book so it can be ordered at all, then approaching the right shops with a realistic, well-prepared case.

This guide walks through both sides. For the retailer-side detail on how orders actually happen, see [how bookstores order self-published books](/resources/ingramspark-distribution/how-do-bookstores-order-self-published-books), and for what is and is not realistic with a specific named chain, see [can Waterstones stock my self-published book](/resources/ingramspark-distribution/can-waterstones-stock-my-self-published-book).

Prepare the product

Before approaching any bookshop, the book itself needs to be genuinely trade-ready: correctly formatted, professionally produced, and set up in a way that a bookseller can order and sell without unusual friction. Skipping this step and going straight to outreach tends to waste both the author’s and the retailer’s time.

ISBN

A valid ISBN, correctly assigned to the specific print edition, is generally required as a practical matter for the book to be findable through standard trade ordering systems. See what an ISBN is for the fuller explanation.

Metadata

Accurate, complete metadata, title, author, description, category, price, publication date, needs to be correct and consistent everywhere it appears, because trade and retailer systems rely on it to display and evaluate a listing. Errors here can make an otherwise available book harder to find or trust.

Distribution

Trade distribution through a service such as IngramSpark, at the time of writing (https://www.ingramspark.com), is a common route for making a print book orderable through wholesale systems that many bookshops already use. This is a prerequisite for most trade ordering, not a guarantee that any specific shop will order the title.

Wholesale terms

Retailers generally need to buy at a wholesale discount to make any margin on a sale. Specific discount structures and terms are set by the distribution service you use and can change, so check current documentation for your platform rather than assuming a fixed figure.

Returns

Some retailers, particularly larger chains, are more comfortable ordering stock they can return if unsold, a long-standing feature of general trade bookselling in some markets. Whether your title is set up as returnable through your distribution service can affect how willing a retailer is to order it in quantity.

Bookshop economics

A bookshop has limited shelf space and needs each title it stocks to justify that space commercially. Understanding this, rather than approaching a shop purely from the author’s own perspective, tends to produce a more realistic and better-received pitch.

Local relevance

A genuine local connection, setting, subject matter or author residence, is one of the more realistic reasons an independent bookshop might consider a title outside its usual buying pattern. This should be presented honestly rather than assumed as an automatic route in.

Genre relevance

A book is more likely to interest a given shop if it fits the genres and categories that shop already stocks and its customers already buy. Researching a shop’s existing stock before approaching it is a practical, low-cost step that improves the odds of a relevant conversation.

Events

Proposing a concrete event, a launch, a talk, a signing, gives a bookshop a specific, time-bound commercial reason to bring in stock, which is often an easier conversation than an open-ended request for ongoing shelf space.

Author platform

An existing following, whether through social media, a newsletter, local profile or previous books, gives a bookshop some confidence that a title has a built-in audience likely to generate sales. This is a genuine factor booksellers may weigh, though it is not a formal requirement.

Reviews

A small number of credible, honest reviews can support a pitch by showing that readers outside the author’s immediate circle have engaged with and responded to the book. Reviews should be genuine; inflated or manufactured reviews undermine credibility if discovered.

Sales evidence

Demonstrable sales history, even modest, direct or online sales, can be a useful data point when approaching a bookshop, because it reduces the perceived commercial risk of stocking an unfamiliar title.

Pitching independents

Independent bookshops often have more flexibility to make individual stocking decisions than larger chains. A short, specific, well-prepared pitch, ideally in person or by whatever contact method the shop itself indicates it prefers, tends to work better than a generic mail-out.

Chain retailers

Chain retailers typically rely more on centralised buying decisions than individual branch requests. Being orderable through the trade systems a chain uses is a prerequisite, but any wider stocking decision is likely to sit above branch level, and should be approached through whatever current public channel the retailer provides.

Consignment where relevant

Some independent shops may be open to a consignment-style arrangement, taking a small number of copies to sell with payment or return based on what sells, though this varies by shop and is not a standard or guaranteed arrangement across the trade. Any such terms should be agreed clearly and in writing with the specific shop.

Direct supply

Some shops, particularly independents, may prefer to buy a small number of copies directly from the author rather than through a wholesaler, especially for local titles or events. Being ready to explain how supply, invoicing and any returns would work makes this easier for a shop to agree to.

What retailers care about

In broad terms, retailers care about whether a title will sell, whether the commercial terms work for them, and whether the book fits their shop and customers. A pitch that speaks to these points directly, rather than focusing only on the author’s own achievement in writing the book, tends to land better.

Common mistakes

The most common mistakes are approaching shops before the book is properly trade-ready, treating every retailer as if it works the same way, and expecting distribution availability alone to result in stocking without any further outreach or evidence of demand.

Common mistakes

  • Approaching shops before the book is trade-ready. Without an ISBN, distribution and clean metadata in place, a bookseller often cannot act on a request even if interested.
  • Treating every bookshop the same way. Independent shops and chains generally work through different buying processes, and a single generic pitch rarely fits both.
  • Expecting distribution alone to result in stocking. Being orderable through trade channels is a prerequisite, not a guarantee that any shop will bring in stock.
  • Leading with the author’s story rather than the retailer’s interests. A pitch focused only on personal achievement is less persuasive than one addressing fit, demand and commercial terms.
  • Assuming consignment or direct supply is standard. These arrangements exist at some shops but are not a universal or guaranteed route across the trade.

Frequently asked questions

What is the first step to getting into bookshops?

Making the book properly trade-ready: a valid ISBN, accurate metadata, trade distribution, sensible pricing and professional production, before approaching any shop.

Do independent bookshops and chains work the same way?

Generally no. Independents often have more flexibility for individual stocking decisions, while chains typically rely more on centralised buying.

Does having trade distribution guarantee bookshops will stock my book?

No. Distribution makes a book findable and orderable; the decision to actually stock it rests with each retailer.

Can I sell copies directly to a bookshop instead of through a wholesaler?

Some shops, particularly independents, may agree to buy directly, especially for local titles or events, but this varies by shop and is not standard across the trade.

Sources & further reading

Ask Quill & Reed

Still have a question?

Ask about anything this guide didn’t cover, and we’ll point you to the closest answer.

Try:

The Quill & Reed newsletter

Useful publishing guidance. No daily nonsense.

Occasional practical guidance on writing, publishing and building an audience.

Sent occasionally, when there’s something worth reading. About the newsletter

Quill & Reed — Bring your book to life

The Quill & Reed newsletter

Understand publishing before you choose.

Occasional practical guidance on routes, platforms, rights and production.

Sent occasionally, when there’s something worth reading. About the newsletter