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Book Sales & Growth

What Price Should I Charge for My Self-Published Book?

Written by Quill & ReedReviewed by Quill & Reed6 min read

Published · Platform details change; last checked

The short answer

There is no universal correct price. A sensible price sits within the range comparable books in the category charge, reflects the format, length and production quality of the book, and leaves the author with a clear understanding of net earnings per sale. Working this out means comparing similar titles, checking actual earnings at candidate prices, and setting an objective for the price before choosing a number.

On this page
  1. Why there is no single answer
  2. Step one: gather comparable prices
  3. Step two: check net earnings at candidate prices
  4. Step three: decide what the price is meant to achieve
  5. Format-specific considerations
  6. Pricing worksheet
  7. What not to assume
  8. Reviewing the decision later
  9. Common mistakes
  10. Frequently asked questions

Pricing a self-published book is a genuinely open decision, since there is no publisher setting a price on the author’s behalf and no single "correct" answer to copy. That openness can feel unhelpful when what is wanted is a straightforward number, but a workable price is reachable by comparing similar books, checking real earnings, and being clear about what the price is meant to achieve.

This guide sets out that process, format by format, without inventing demand curves, psychological pricing rules or promised outcomes that this article cannot responsibly make. For the earnings side of the picture, see our fuller [self-published author income guide](/resources/author-business/how-much-money-can-a-self-published-author-make).

Why there is no single answer

A price that suits a 300-page debut thriller does not suit a 60-page short story collection, and a price that suits a well-established author’s tenth book does not automatically suit a first-time author’s debut in the same genre. Genre expectations, book length, production quality and the author’s existing audience all shift what a sensible price looks like, which is why a fixed universal figure would be misleading rather than helpful.

Step one: gather comparable prices

  1. 1

    List genuinely similar books

    Match on genre, approximate length, and similar production standard — not the category’s single runaway bestseller.

  2. 2

    Record prices by format

    Ebook, paperback and hardback prices for each comparable title, since these are set independently.

  3. 3

    Note the range, not just an average

    A range shows where a reasonable price sits; a single average can obscure real variation in the category.

Step two: check net earnings at candidate prices

For each price you are considering, work out the actual amount you would keep per sale, by format, using the platform’s current royalty terms and, for print, its manufacturing cost calculator. This step matters because two prices that look similar to a reader can produce very different earnings for the author, particularly around ebook royalty pricing bands, which can change; check current terms rather than relying on older figures.

Step three: decide what the price is meant to achieve

Different objectives suggest different starting points
ObjectiveWhat it might mean for priceTrade-off to weigh
Match category expectationsPrice within the comparable range identified in step oneStraightforward, but does not optimise for anything specific
Maximise visibility for a new book or series openerA price nearer the lower end of the comparable rangeLower earnings per sale; only makes sense with a clear reason, such as a series first book
Reflect a longer, more heavily produced bookA price nearer the upper end of the comparable rangeNeeds the production quality and length to genuinely support it
Sustainable per-sale income at modest volumesA price checked against net earnings, not just retail comparisonRequires knowing your actual costs and earnings figures, not guesswork

Format-specific considerations

Ebook pricing usually has more flexibility and lower stakes to test, since there is no manufacturing cost involved; paperback and hardback pricing has to account for print cost, which varies by page count, trim size and printing option and directly affects what remains after a sale. A price that looks reasonable for an ebook may not translate directly to print once production cost is factored in.

Pricing worksheet

Private worksheet

Book pricing worksheet

Work through this for each format you sell. It is a private planning tool: nothing is scored, and it will not tell you to lower your price — it is meant to make the trade-offs visible so you can decide.

Your answers stay in this browser tab only. Nothing is scored, sent or saved to an account.

Format and comparables
  • Format being priced (ebook / paperback / hardback)
  • Comparable range found among similar books (low to high)
Current or candidate price
  • Retail price being considered
  • Net earnings per sale at this price, checked against current platform terms
Objective
  • What is this price meant to achieve (match category, support visibility, reflect production quality, sustainable earnings)?
  • What would tell you, over time, whether it is working?
Promotion plan, if any
  • Is any time-limited discount or promotional pricing planned?
  • What is its specific purpose and end date?

What not to assume

  • That a specific number (99p, £2.99, £9.99) is inherently correct for all books.
  • That price alone determines whether a book sells.
  • That the highest price in the category always signals the highest quality, or the lowest always signals the best value.
  • That a price, once set, cannot reasonably be revisited later.

Reviewing the decision later

A pricing decision is not permanent. It is reasonable to revisit price if the comparable category shifts, if the book’s production changes (a new cover, a fresh edit), or after enough time has passed to see a pattern in sales at the current price. Changing price as a single, deliberate step, rather than alongside several other changes, is what makes any future review meaningful.

Common mistakes

  • Picking a price by instinct rather than comparison. A quick guess skips the useful step of seeing what genuinely similar books charge and why.
  • Ignoring net earnings and looking only at retail price. Two similar-looking retail prices can produce very different actual earnings once royalty structure and format cost are accounted for.
  • Setting a price with no objective behind it. Without deciding what the price is meant to achieve, there is no sensible way to judge afterwards whether it worked.
  • Pricing every format the same without checking costs. Print formats carry manufacturing costs that ebooks do not; a price that works for one may not work for another.
  • Treating the first price chosen as permanent. A price can reasonably be revisited as the book, the category or the author’s situation changes.

Frequently asked questions

Is there a standard price for self-published ebooks?

No single standard price exists; a sensible price depends on genre, length, production quality and what comparable books currently charge.

Should paperback and ebook be priced the same?

Usually not — they have different production costs and are generally priced independently, though it is worth keeping the gap between them reasonable.

How do I find out my actual earnings at a given price?

Check the current royalty terms and, for print, the manufacturing cost calculator on the platform you use, since these figures can change and vary by marketplace.

Can I change my price after publishing?

Yes, price can generally be changed after publication; it is worth doing so deliberately, as one variable, and observing the pattern before changing anything else.

Does this replace the earnings calculator on your Q200 guide?

No — this worksheet is about deciding a price; see our [self-published author income guide](/resources/author-business/how-much-money-can-a-self-published-author-make) for the fuller picture of what shapes author earnings overall.

Sources & further reading

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